2017年7月13日 · scale degree names: tonic, supertonic, mediant, etc; permutations (modes) of a scale, ex. dorian mode is the second mode of the major scales, altered scale is the 7th mode of the melodic minor scale, etc. various position on the guitar neck, tonic note (starting note) located on the various strings

2014年12月25日 · In both C major and the natural scale of A minor, the minor seconds are found between E and F, and B and C. In C Major, when you move from a G Maj chord to a C Maj chord, you have not only got a strong root movement (establishing a fundamental of C), you've got the B in the chord of G (the third of the chord) pushing into the note of C in the ...

2020年8月13日 · A major scale has 7 degrees and they are listed in order from one to seven. Each one of these degrees can become the root note of a chord using a formula of adding thirds on top of each other using the notes that are contained in the scale. A C major chord would be constructed by starting with the first degree of the scale, which is C.

2018年7月25日 · When you say that "the 7 in Cmaj7 indicates the 7th scale degree," I have one small adjustment: "the 7 in Cmaj7 indicates the 7th scale degree of the major scale" (hence the maj 7). So in C Ionian (or C Major), the seventh chord built on C is Cmaj7, because the pitches are C E G B, taken straight from the C-Ionian collection.

2012年12月28日 · Also, play the C major scale, one note at a time, up and down in a variety of rhythms. Since the major scale consists entirely of notes from the tonic, dominant, and sub-dominant major triads, try modifying the activity as follows: alongside each note of the scale, play a chord from either the C, F, or G major chords, choosing only a chord that ...

2011年5月19日 · But C major, the scale with no sharps or flats, emerged victorious as the central scale/tonality/modality, a role it had first been cast in by Zarlino. French theorists who had been influenced by his numbering system, notably Rameau, would ultimately place the major scale on a supposed "natural" basis by expanding Zarlino's ratio arguments to ...

2018年5月5日 · The C major scale is identical to C Ionian. A piece in C Ionian will tend to restrict itself to the notes of the scale. A piece in C Major would be considered very simplistic if it did that! A mode is monochrome. A key can be coloured in. Modes are great. But they're self-contained, walled gardens.

Start with the 1st degree of the C major scale. Build a quartal chord off that scale degree: C-F-B (ascending). Construct a mirror chord, using C as the reflection point: C-G-D♭ (descending). Move on to the 2nd scale degree and repeat. Build a quartal chord off …

2017年8月13日 · The modes of C are the 7 arrangements you get from starting the C major scale from its 7 different root notes. You only think of parrallel modes like you have described as a harmonic / composition technique to slide around keys or add interest to a piece.

2018年5月4日 · Its third and fifth are the second and fourth note of the major scale (same as the diminished VII) Being major, it creates a consistent harmonic palette with the other major chords in a major key; As Laurence points out, it can be seen as 'IV of IV' in songs where the major IV features. This can be relevant in the chord progression bVII - IV - I.